It applies the color of mid-tones in the source to the mid-tones in the destination. Match Color applies the color of highlights in the source to highlights in the destination. Here’s a magenta gradient that I created in Final Cut. If I apply a solid color, all the grayscale values in the destination wash out. Instead, I need to apply a gradient. The rule is: To remove a color, add the opposite color. Hmmm… Match Color applies grayscale and color values from a source to a destination. Not just color values, but grayscale, too, were transferred. Here are the colors I’d rather the wide shot contain, displayed on the right.Īpply the Match Color effect and the original clip looks like this. In this example, this wide shot of desert canyons is washed out and green. In other words, Match Color matches using the current state of a clip. Unlike other effects such as chroma key, if you color grade the good clip before applying Match Color, the color-graded image is used to determine changes in the source clip. ![]() It isn’t replacing any colors, rather it is blending the new colors with the old. This is not a content mapping, but a color mapping. The Match Color effect maps the grayscale and color values from a good clip to the bad clip. NOTE: In the video Inspector, the Match Color effect lets you change the source image, but there’s nothing to adjust. Matching colors is how the Match Color effect was designed, but, there’s a much more we can do with it. In most cases, while the color is better, the grayscale is a bit washed out. While it improves the original clip, top, the color results are not as good as manually color grading the clip. Click Apply Match to apply the changes to the clip. ![]() The color values from this frame are then applied to the selected clip. Drag your mouse over a clip with the color you want to match and click a frame that you like.Or, from the Enhancement menu at the bottom left of the Viewer, choose Match Color. Choose Modify > Match Color (shortcut: Option + Cmd + M).Put the playhead in the clip with the wrong color, then select it.The left image is in the Browser, the right image is in the Timeline. NOTE: To display both images, I enabled the Event Viewer ( Window > Show in Workspace > Event Viewer). (Image courtesy: Model Railroad Builders ( Match Color was invented to quickly match the grayscale and color values of one shot to another. In this screen shot above, the left clip is blue/green, compared to the right clip. Once you understand what it is REALLY doing, you can use it to create some fascinating effects. Match Color does more than simply match colors between clips. Some Motion templates on this webpage are available from you haven’t played with the Match Color effect recently in Final Cut Pro X, you are missing a powerful tool to give your images some interesting looks.Performance tests are conducted using specific computer systems and reflect the approximate performance of Mac Studio and iMac. Prerelease Final Cut Pro 10.6.2 tested using a complex five-minute project with 8K ProRes 422 media. Testing conducted by Apple in February 2022 using preproduction Mac Studio systems with Apple M1 Ultra, 20-core CPU, 64-core GPU, 128GB of RAM and 8TB SSD, as well as production 3.6GHz 10-core Intel Core i9–based 27-inch iMac systems with Radeon Pro 5700 XT graphics with 16GB of GDDR6, 128GB of RAM and 8TB SSD.Prerelease Final Cut Pro 10.6.2 tested using a five-minute project with 4K Apple ProRes 4444 media, at 3840-by-2160 resolution and 23.98 frames per second, transcoded to Apple ProRes 422. Performance tests are conducted using specific computer systems and reflect the approximate performance of Mac Studio. ![]() Prerelease Final Cut Pro 10.6.2 tested using a one-minute picture-in-picture project with 18 streams of Apple ProRes 422 video at 8192-by-4320 resolution and 30 frames per second, as well as a one-minute picture-in-picture project with 56 streams of Apple ProRes 422 video at 3840-by-2160 resolution and 29.97 frames per second. Testing conducted by Apple in February 2022 using preproduction Mac Studio systems with Apple M1 Ultra, 20-core CPU, 64-core GPU, 128GB of RAM and 8TB SSD.macOS Ventura or later is required to edit Cinematic mode video captured on devices with iOS 16 or later. macOS Monterey or later is required to edit Cinematic mode video on devices with iOS 15.
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